Drum Samples Don’t Cut It: Get Custom Drum Tracks from an Online Session Drummer

On April 25, 2009 · 0 Comments

This article is for the benefit of you, the songwriter/composer.

Undoubtedly you need professional sounding drum tracks for your music. But how to get great drum sounds without breaking the bank?

Many folks see the solution to the problem in drum sample software, such as the BFD premium drum module.

People feel this is the solution because, admittedly, the drum samples involved in the software tend to have drum sounds that are very good. Generally, the drums are well-tuned and recorded well. But there are drawbacks.

The biggest two drawbacks to using drum sample software are:

1)“Canned”, uninspired results — drum tracks that sound disconnected from your music.
2) Large amounts of time being wasted putting together “custom” tracks slice-by-slice with individual-hit drum samples.

Most of these drum sample software packages give you pre-made loops you can use. Most also give you the option to construct your own beats using separate, single-hit drum samples.

Lets talk about the loops for a minute.

You may be able to occasionally find a pre-made pattern in the package that basically fits your song.

But even if a pre-made drum pattern works partly, there are inevitably parts of your song that could use a little bit of variety. Certain parts may benefit from a change in the bass drum pattern, for example, or maybe looser hi-hats or some extra snare hits. At any rate the chances of drum sample software containing a loop that has exactly what you need for that situation are very slim.

Confronted with this situation you are likely the think something like “I need my drum tracks to sound more organic than that”, or perhaps “this loop or that loop won’t cut it because I need the drum part to highlight the vocal rhythms on the third pre-chorus”.

Of course these are legitimate concerns as you want your music to sound alive, not contrived.

And at this point you may decide that you need to construct the drum parts yourself, hit-by-hit, slice-by-slice, using single-hit drum samples. Admittedly, you’ll probably get a better result this way as you at least have control over specific cymbal crashes, adding bass drum notes, fills, etc.

There is a big problem to this approach however: It takes up huge amounts of your precious time.

If you have been through this before, I don’t need to tell you: putting together “custom” drum tracks using single-hit drum samples will take up so much of your time that you are likely to compromise your artistic needs in the end anyway. You will put in so many hours, and the tracks will sound better than just using factory loops, but you will probably give up realizing that they will never really, truly sound and feel like custom drum tracks that were played by a real person for your song.

You would look at how much time you have put in to them, and settle for your cobbled-together tracks because you couldn’t bear to do such tedious busy work anymore. You wouldn’t even end up with the result you wanted . It would only be closer to that goal than the factory loops — closer, but no cigar!

They say say time is money, which everybody knows is true. It seems like you’d save money painfully cobbling a drum part together slice-by-slice from a drum pattern /sample software package, but in reality its just not worth the time you’d waste, and the frustration you would feel.

As you look at it that way, its obvious that approach would really end up costing you.

A much better idea is to take advantage of a recent development, the appearance of online session drummers.

You can now get real, custom drum tracks from session drummers over the Internet and save a whole lot of money over conventional recording methods. Conventional recording methods tend to involve having to pay several people (rental of the studio for every minute of usage including setup and teardown; carting the drums there; paying the producer, the engineer(s), drummer, etc.). All that can really add up.

With an online studio drummer you only pay one person, which obviously saves you a bundle.

Be sure to shop around — all online drum track providers are not equal. Of course you should base your decision on which session drummer would musically fit your project best, but you must also compare the actual sound quality provided. Compare the sound quality of tracks on the websites, and compare the gear being used by each online studio drummer.

You will see that some sites are providing noticeably better sound quality than others, so choose carefully. [For more tips on choosing an online drum track provider, see my article titled “Online Drum Tracks – Tips For Success”]

Remember, using drum sample software will make your music sound very stale. Pre-made loops won’t sound like they were for your song, and piecing a drum part together from sample slices will drive you mad with wasted time yet still sound uninspired and “canned”.

Don’t go with drum sample software– samples are “canned” goods! Go for fresh, custom drum tracks online.

Post to Twitter Post to Yahoo Buzz Post to Delicious Post to Digg Post to Facebook Post to MySpace Post to Ping.fm Post to Reddit Post to StumbleUpon

No related posts.


Leave a Reply

Testimonials From Just a Few of Our Happy Clients:
 

"Hey Shay, this is Andrew. I just wanted to give you a call and let you know everything worked out great with your drum tracks.

And, actually, the guy who mixed them even asked me who I got to play on them and I told him about you.

He said whoever engineered them did a great job recording them. Just thought you'd like to know."

Andrew Synoweic

 

"Shay Godwin is an amazing drummer with an instinctual approach to music rarely encountered today.
Every time I work with him in the studio I'm amazed at how quickly he locks in, and how great his drum sounds are.
"

-- Ken Andrews:
songwriter/producer/mixer;
founding member of the groundbreaking group Failure;
producing/mixing credits include: Charlotte Martin,
A Perfect Circle,
Tenacious D,
Chris Cornell,
Nacho Libre Soundtrack,
Pete Yorn,
Jimmy Eat World

 

"Shay is one of the most talented drummers I've ever had the pleasure of working with. He is a real musician that plays with taste, incredible feeling, and he is amazingly versatile in his styles. "

-- Charlotte Martin
founder, Dinosaur Fight Records

 

"Shay is a true professional - He is solid, has great feel and great tone - One need look no further."

-- Ty Stevens
Warner/Chappell staff songwriter;
wrote "Rock This World" and was Musical Director for Hillary Duff (Hollywood Records);
M.D. for Jennifer Pena, Daniel Rene (Univision);
wrote music for Disney, Verve, Universal, artists Mindi Abair;
Musical Consultant for Aly & AJ (Hollywood Records);
guitarist for Mandy Moore, countless other credits

 

"Shay Godwin is one of the top session drummers I've had the pleasure of working with. He's a one take wonder, which is great in the studio because time is money. Shay was extremely professional, and well prepared. He has killer sounding drums, and was able to give me all kinds of snare tones to choose from. We will be working together for many years. "

-- Jay Ruston
Producer/Engineer/Mixer, credits include Brian Wilson, The Donnas, Abandoned Pools, Dianna Ross, American Idol, Morrissey, Polyphonic Spree, Meatloaf

 

"Shay has an attention to detail while working on parts in a song combined with keeping it simple and soulful. His vast knowledge of musical styles and professionalism in getting the job done in a timely manner is why I love to work with him."

-- Buck Johnson:
co-wrote the single "Just Feel Better" for Carlos Santana's album "All That I Am" featuring Steven Tyler of Aerosmith ;
keys/vocals/guitar with country act Whiskey Falls;
vocalist/keyboardist with the following artists: The Doobie Brothers (backing vocals on "Rockin' Down the Highway"-Live CD-1996), Tal Bachman (backing vocals and Keys of Columbia Records debut album -'99, Timothy B. Schmit (of The Eagles, his solo CD 2000-backing vocals and keys), Matthew Sweet (touring keys and backing vocals and "Best Of Matthew Sweet CD), Shawn Mullins (touring -2000), and John Waite

 

"Hey Shay, I wanted to say thanks again & great job in the studio sessions for the BFD XFL. You really did a top job covering the various brush strokes, and a lot of composers have told me they've been featured in many TV shows and movies! All the best! "

-- Steve Duda:
creator of the BFD Premium Drum Module, credits include:
Nine Inch Nails - Fragile - Percussion, Violin, Programming, Choir, Chorus;
Pitchshifter - Deviant - Programming, Editing;
Pitchshifter - Bootlegged Distorted Remixed Uploaded - Producer;
Rob Zombie - American Made Music to Strip By - Remix;
Methods of Mayhem - Methods of Mayhem - Programming; A Perfect Circle - Thirteenth Step - Digital Engineer

 
 

"I tried some other online drummers, you are by far the best."

-- Luke, Germany

 

"Your process is great. The three takes is a perfect way to make sure it works. Your tracks sound great. I was very happy with the process.
You and Thai Long were awesome. Your professionalism and enthusiasm, not to mention skill at your craft made this perfect.
"

-- Craig Campbell, Detroit, USA

 

"I was totally blown away by the quality of the recording. By comparison with other drum recordings I have heard (some of them by other online drum recording services), your unprocessed tracks are close to the processed tracks I have heard!
Your drumming during the chorus clearly sets it aside in terms of energy from the verse parts, something that I find important. Your playing supports the song and even inspires me with ideas to improve it. Upright Bass, anyone?
"

-- Henrique Pataca, Portugal

 

"Shay, just a quick email to let you know that I'm very happy with the drums tracks! They're well recorded and the performances are great! A pleasure to mix! More to come for you soon."

-- Gyom, Alexandria, Virginia, USA

 

"Nice fills and some cool grooves dude! Exactly what I was looking for!!! All three takes sound great. I think my favourite is track 2 but I might incorporate some bits of the other takes into it as well."

-- Ramon McDrury, Sydney, Australia

 

"Hi Shay, the takes are perfect, exactly what I was after and played with real passion, thanks so much!"

-- Owen Duff, London, UK

 

"I can't decide which version I like best, all three are great. I think take 3 is again most powerful, straight but still sophisticated, which I like cause I really want powerful, driving bass and drums carrying the song but played intelligent."

-- Luke, Germany

 

"Shay! You nailed it! Great work. You were right. I have 'inevitable glee'. You played exactly what I imagined! I'm sure putting together a mix with your drums will be easy, but you make it hard to decide which takes I want to use...

I just wanted to thank you both for spending the extra time to nail down these tracks. You really nailed these tracks and inspire me with your playing. I'm really honored to have you guys work on this stuff and grateful.
"

-- Timothy Gillespie, New Jersey, USA