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eDrumSessions Founder Performs With Country Legend Dolly Parton

On February 1, 2012 · 0 Comments

Recently session drummer and eDrumSessions founder Shay Godwin played at an an event featuring Country music industry luminaries, including Dolly Parton.

Here are a couple of pics of session drummer Shay Godwin with Parton:


Session drummer Shay Godwin provides drum tracks online to clients worldwide. For his online drum tracks and for all recording sessions he has control over, Bell Sound in Hollywood is the place to go. Session drummer and string quartet alike enjoy the large, Vincent Van Haaf-designed tracking room. Drum tracks exhibit separation and clarity. eDrumSessions is a full service online recording studio, ready for online drum tracks, guitar tracks, bass tracks, string tracks, pedal steel tracks, lap steel tracks, horn tracks, vocal tracks, mixing, mastering, and anything else you could need. We have top quality session drummers available, as well as session guitarists and any other instrument you need. Let eDrumSessions.com give your music the life you envision. It starts with the drum tracks!

Custom Drum Recording Studios: Great Tracking And Control Rooms Are A Must

On January 24, 2012 · 0 Comments

Having quality instruments, microphones, and recording gear is definitely important in achieving the highest quality recorded sounds for custom drum recording. But without a well-designed tracking and control room, it won’t mean much. If you want to ensure excellent drum sounds from an online drum tracks service, it really helps to have some understanding of their room situation.

A proper live room for tracking a session drummer should ideally be large, so that the sound waves can mature and early reflections are minimized. Of course, smaller rooms can benefit from creative sound control devices such as absorbers and diffusers, but there’s nothing like the sound of real drums in a large live room for maximum clarity and impact.

Here’s why: When “trapping” a smaller room with acoustic devices you end up with drums that tend to sound boxy and small. Because the air around the kit is literally being absorbed and controlled, the kit never gets to “breathe”, producing a dry and boxy sound with your drum tracks. This is most easily heard in the Overhead and Room mics. Also, the smaller footprint also emphasizes lower midrange frequencies — you know, the ones that that produce those nasty nasal tones you can never really dial out once recorded. The low end also has no room to naturally expand, thus rendering your kick sounds anemic. This all means small drum sounds.

Regardless of room size, a live room must have a decent balance of hard surfaces (reflection) and soft surfaces (absorption). Importantly, the reflective surfaces should be broken up as much as possible, i.e. few parallel surfaces. This again produces the most natural recordings even amongst the many individual elements of a close mic’d drum kit. The separation and clarity the drums tracks will exhibit in a properly designed space is a revelation to hear – and once you hear your drum tracks this way you’ll never go back!

The control room is just as important as the live room, because for an engineer to get good drum sounds he needs to be able to hear accurately. Merely placing good equipment in a sub standard room is not good enough. You’d never cook a fancy meal in a dirty kitchen, yet why do so many engineers choose this route? Because properly designed rooms aren’t cheap to design, cheap to build, or cheap to implement!

Good speakers are good speakers. They were designed and manufactured under strict tolerances and in well-tuned environments. They are made to be used in proper spaces that won’t skew the acoustic frequency response and dynamic output, much like a Ferrari is designed to be driven on a race track. Putting one in traffic during rush hour would be compromising its performance characteristics. It would also compromise and skew the driver’s opinion of the car, thus rendering his judgment incorrect.

Performance speakers in a poor room ends up with the same results. Every day, recording engineers listen to their expensive speakers in flawed rooms and end up making very poor EQ and mic placement choices through no fault of their own. Their speakers and room in concert are lying to them. And they don’t know it! Thus, your drum tracks are flawed and incorrectly balanced – inhibiting you from producing truly stunning mixes of your precious material.
As there are many online session drummer services, there are many different types of room being used. These rooms range from closets and bedrooms in houses to large, professionally designed rooms in commercial recording studios.

Obviously going with rooms designed professionally for the purpose of recording is generally going to be the best idea. Such rooms are designed to be acoustically “flat”. This means that the room dimensions and construction are such that no frequencies are boosted, or attenuated, by the room itself and have the geometric properties previously discussed.

Before we look at professional rooms, lets take a general look at the many session drummers who operate in a home studio situation.

It is possible to get great drum sounds in a house. I have been session drummer on recordings done in houses that sound amazing. Some famous artists have made recordings in houses with excellent results, such as The Rolling Stones’ “Exile On Main Street”.

But more often than not, session drummers operating out of home studios have huge acoustical issues they are not even be aware of, and have tuned neither their tracking room nor control room. Often they just “deaden” things in the room, controlling some high-frequency issues by over-using soft materials but doing nothing for low-frequency issues.

Then there is the other end of the spectrum: professionally designed tracking and control rooms in a commercial recording studio.

For an example of a modern standard in studio design, one can look to rooms by the great Vincent Van Haaf. Van Haaf is the designer and architect of rooms in many studios, including the famous Conway Studios of Los Angeles. The main idea of the Van Haaf approach involves the use of geometry and space. There will be NO parallel surfaces. A control room should be symmetrical from a central line for the purposes of exact stereo imaging.

Van Haaf likes air to be the absorber and diffuser instead of relying on soft, diffusive materials (or as he puts it, “absorption by cotton ball”). This concept applies to both the live and control room.

Those are the basics, but the icing on the cake of Van Haaf’s control room design approach is the ceiling design. It involves designing the room like a big speaker horn, in which the ceiling is angled up and away from the monitors. This kind of design ensures the entire room will be a sweet spot.

As you can see, the design of the control room and tracking room of a studio has as much to do with sound quality of your drum tracks as anything. It is probably the most important factor after the expertise of the recording engineer.

It is worth noting that many online session drummers use the same rooms as tracking room and control room. This is generally to be avoided.

The point is to inquire about the rooms an online session drummer uses if no info is given on the site. If the session drummer records in a house, you don’t need to rule that service out but you must investigate the properties of the rooms.

Ask about dimensions, and request some pictures if none are provided on the site. If you like what you see on the site, you will want to ensure the pictures displayed are indeed the tracking and control rooms being used by the session drummer and engineer.

Online Recording Studio: Tracking In L.A. For Client In Australia

On December 20, 2011 · 0 Comments

In the video below, session drummer and eDrumSessions founder Shay Godwin tracks some brushes in Los Angeles for a client in Australia. The client was able to produce the session in real time from Australia, through the use of NiceCast. NiceCast allows our clients to listen live to recording sessions from anywhere, at no extra charge. Communicating with us via Skype, iChat, or phone, clients are able to produce sessions and get exactly what they need in drum tracks or anything.

eDrumSessions is a full online recording studio offering a wide range of services.

These services include drum tracks, grand piano tracks, vocal tracks, guitar, keys, strings, horns, pedal steel, lap steel, mixing, mastering, everything you could need.

Online Recording Studio: Working For Universal Music Group

On December 20, 2011 · 0 Comments

eDrumSessions.com provides studio services to clients worldwide from Los Angeles. Of course some clients are right in L.A., including Universal Music Group.

In the below video, session drummer Shay Godwin (founder of eDrumSessions) records drum tracks for a Universal library called “Killer Tracks.”

Since this client is in Los Angeles, he came to our recording studio to produce this session. However, even if you are on the other side of the planet you can produce sessions in real time at eDrumSessions. Through the use of NiceCast, our clients can listen in on the recording session live from anywhere in the world (no extra fee for this sevice) and communicate via Skype, iChat, or phone. This is like being in the control room with engineer Thai Long Ly; you can produce the recording session in real time. We encourage this as it keeps the communication high and ensures total satisfaction. Most online recording studios do not offer this option, usually going for a “keep the client at arm’s length” approach.

For clients who do not wish to or cannot schedule a remote recording session, we usually do three takes of a song to give the composer some options. Of course if a chart is sent that is adhered to. This online recording studio is full of professionals of all flavors, and we have musicians that can read fly paper.

The eDrumSessions recording studio is outfitted with top notch gear all around. Vintage Neve 8232 console, modern outboard pres such as the brilliant Geoff Daking models, the most amazing mic locker you could imagine. The tracking room is a masterpiece, designed by the masterful Vincent Van Haaf. Haaf designed the tracking rooms at the legendary Conway Studios.

Online Recording Studio: eDrumSessions New Facility Is Amazing!

On November 28, 2011 · 0 Comments

eDrumSessions.com online recording studio service has moved to an amazing new facility!

This place has a vintage Neve 8232 console, and super high-end outboard gear. You won’t find another online recording studio with this kind of gear.

The microphone locker is a dream. We’re talking multiple vintage FETs and tube mics! RCA 77s, Neumann U87s, not to mention a whole bunch of Royers, Coles, Gefells, on and on. There simply are no other online recording studios that have these kind of mics available for use.

The perfectly tuned rooms were designed by a top studio designer whose name cannot be mentioned here to prevent anyone from figuring which studio eDrumSessions is now using.

Why is the name of the new eDrumSessions online recording studio facility confidential?

Because the owner understandably doesn’t want these low prices associated with his recording studio!

People pay *top dollar* at this studio. You are fortunate enough to have found online access to this studio at a fraction of the price you would pay to be there.

Combine all this with access to L.A.’s finest studio musicians, any instrument you need whatsoever, and you have a winning combination. Let eDrumSessions.com take care of all of your online recording studio needs.

Testimonials From Just a Few of Our Happy Clients:
 

"Hey
Shay, this is Andrew. I just wanted to give you a call
and let you know everything worked out great with your
drum tracks.

And,
actually, the guy who mixed them even asked me who I got
to play on them and I told him about you.

He
said whoever engineered them did a great job recording them.
Just thought you’d like to know."

Andrew Synoweic

 

"Shay
Godwin is an amazing drummer with an instinctual approach
to music rarely encountered today.
Every time I work with him in the studio I’m amazed at how quickly
he locks in, and how great his drum sounds are.
"

Ken Andrews:
songwriter/producer/mixer;
founding member of the groundbreaking group Failure;
producing/mixing credits include: Charlotte Martin,
A Perfect Circle,
Tenacious D,
Chris Cornell,
Nacho Libre Soundtrack,
Pete Yorn,
Jimmy Eat World

 

"Shay
is one of the most talented drummers I’ve ever had the pleasure
of working with. He is a real musician that plays with taste,
incredible feeling, and he is amazingly versatile in his
styles.
"

Charlotte Martin
founder, Dinosaur Fight Records

 

"Shay
is a true professional – He is solid, has great feel and
great tone – One need look no further."

Ty Stevens
Warner/Chappell staff songwriter;
wrote “Rock This World” and was Musical Director for Hillary
Duff (Hollywood Records);
M.D. for Jennifer Pena, Daniel Rene (Univision);
wrote music for Disney, Verve, Universal, artists Mindi Abair;
Musical Consultant for Aly & AJ (Hollywood Records);
guitarist for Mandy Moore, countless other credits

 

"Shay
Godwin is one of the top session drummers I’ve had the pleasure
of working with. He’s a one take wonder, which is great in
the studio because time is money. Shay was extremely professional,
and well prepared. He has killer sounding drums, and was
able to give me all kinds of snare tones to choose from.
We will be working together for many years.
"

Jay Ruston
Producer/Engineer/Mixer, credits include Brian Wilson, The
Donnas, Abandoned Pools, Dianna Ross, American Idol,
Morrissey, Polyphonic Spree, Meatloaf

 

"Shay
has an attention to detail while working on parts in a song
combined with keeping it simple and soulful. His vast knowledge
of musical styles and professionalism in getting the job
done in a timely manner is why I love to work with him.
"

Buck Johnson:
co-wrote the single “Just Feel Better” for Carlos Santana’s
album “All That I Am” featuring Steven Tyler of Aerosmith
;
keys/vocals/guitar with country act Whiskey Falls;
vocalist/keyboardist with the following artists: The Doobie
Brothers (backing vocals on “Rockin’ Down the Highway”-Live
CD-1996), Tal Bachman (backing vocals and Keys of Columbia
Records debut album -’99, Timothy B. Schmit (of The Eagles,
his solo CD 2000-backing vocals and keys), Matthew Sweet
(touring keys and backing vocals and “Best Of Matthew Sweet
CD), Shawn Mullins (touring -2000), and John Waite

 

"Hey
Shay, I wanted to say thanks again & great job in the studio
sessions for the BFD XFL. You really did a top job covering
the various brush strokes, and a lot of composers have told
me they’ve been featured in many TV shows and movies! All
the best!
"

Steve Duda:
creator of the BFD Premium Drum Module, credits include:
Nine Inch Nails – Fragile – Percussion, Violin, Programming,
Choir, Chorus;
Pitchshifter – Deviant – Programming, Editing;
Pitchshifter – Bootlegged Distorted Remixed Uploaded – Producer;
Rob Zombie – American Made Music to Strip By – Remix;
Methods of Mayhem – Methods of Mayhem – Programming; A Perfect
Circle – Thirteenth Step – Digital Engineer

 
 

"I
tried some other online drummers, you are by far the best.
"

Luke, Germany

 

"Your
process is great. The three takes is a perfect way to make
sure it works. Your tracks sound great. I was very happy
with the process.
You and Thai Long were awesome. Your professionalism and enthusiasm,
not to mention skill at your craft made this perfect.
"

Craig Campbell, Detroit, USA

 

"I
was totally blown away by the quality of the recording. By
comparison with other drum recordings I have heard (some
of them by other online drum recording services), your unprocessed
tracks are close to the processed tracks I have heard!
Your drumming during the chorus clearly sets it aside in terms
of energy from the verse parts, something that I find important.
Your playing supports the song and even inspires me with ideas
to improve it. Upright Bass, anyone?
"

Henrique Pataca, Portugal

 

"Shay,
just a quick email to let you know that I’m very happy with
the drums tracks! They’re well recorded and the performances
are great! A pleasure to mix! More to come for you soon.
"

Gyom, Alexandria, Virginia, USA

 

"Nice
fills and some cool grooves dude! Exactly what I was looking
for!!! All three takes sound great. I think my favourite
is track 2 but I might incorporate some bits of the other
takes into it as well.
"

Ramon McDrury, Sydney, Australia

 

"Hi
Shay, the takes are perfect, exactly what I was after and
played with real passion, thanks so much!
"

Owen Duff, London, UK

 

"I
can’t decide which version I like best, all three are great.
I think take 3 is again most powerful, straight but still
sophisticated, which I like cause I really want powerful,
driving bass and drums carrying the song but played intelligent.
"

Luke, Germany

 

"Shay!
You nailed it! Great work. You were right. I have ‘inevitable
glee’. You played exactly what I imagined! I’m sure putting
together a mix with your drums will be easy, but you make
it hard to decide which takes I want to use…

I just wanted to thank you both for spending the extra time to
nail down these tracks. You really nailed these tracks and inspire
me with your playing. I’m really honored to have you guys work
on this stuff and grateful.
"

Timothy Gillespie, New Jersey, USA

 

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